MUSO protects your content
and measures the audience behind piracy
We find, verify and remove illegal copies of any digital content. For film and TV, the same data shows piracy for every title, by country, and what audiences want.
One dataset, built protecting content every day, behind every product, the dashboard and the API.
Trusted by the world's leading rights holders for seventeen years.
Whatever you own, we protect it.
Protect with our team
No two rights holders have the same piracy problem. We use our data to understand the shape of yours first, then build the service around where it will have the most impact and the best return.
Always-on removal across piracy sites, search, social, UGC and online resellers.
For Studios, broadcasters, labels, publishers, games and software companies, education providers and brands
See ProtectEvery title you own, enforced at scale by our technology and overseen by our team.
For Rights holders with a slate or a back catalogue
Talk to our teamEvery member's content covered under one agreement.
For Trade bodies and industry groups
Talk to our teamProtect it yourself
A leak hurts most when it is your own film, album or book. These are set up online in minutes and priced for one title or a small catalogue.
Takedowns and Google de-listing for a film in release, set up online.
For Independent filmmakers, producers and sales agents
See the plansThe riskiest weeks are before release. If a copy appears, you get an alert with the proof. Films only.
For Independent producers and sales agents
Start monitoring my filmIllegal copies of your book found and removed, set up online.
For Self-published authors
See how it worksIllegal copies of your tracks and albums found and removed, set up online.
For Independent musicians and small labels
See how it worksSoftware, games and everything else: talk to our team.
Understand demand
What would people watch if every film and TV show ever made were available to them? Discover Demand measures that, every day, for 950,000 titles in 192 countries. The datasets behind it measure film and TV consumption on unlicensed streaming sites and the torrent network, and visits to piracy sites across film, TV, music, publishing and software.
Daily demand by country for 950,000 titles, affinity between titles, and demand for 120,000 actors.
For Acquisition, sales, distribution and casting teams. Film and TV
See Discover DemandPiracy by Title. Streams, downloads and trends for any film or series.
For Studios and broadcasters planning where to act. Film and TV
See Piracy by TitlePiracy by Industry. Five industries side by side, from 2017.
For Trade bodies, governments, policy teams and law firms
See Piracy by IndustryResearchers and students, start here.
What clients say
They are always one step ahead, flagging data leaks before they become a problem and working closely with us to fix them fast.
Erik GonzalezDirector of Marketing and Distribution, Highland Films
We love working with MUSO because we know that we can trust their service and response time. Having the agency to submit links from filmmakers and licensors ourselves has great value.
Rachel FranklinDirector of Digital, MPI Media Group
It allowed us to demonstrate clear interest and unmet demand in the market, giving commissioners the confidence that there was already an audience waiting.
Mob DarCEO, Vibrant Television
An innovative market leader and excellent pro-active partner, with in-depth and forward facing knowledge of piracy, how to counter it, and how to harness and use the knowledge arising from it.
Gee DavyCOO and Head of Legal and Business Affairs, AIM
We use it daily to forecast genre demand and talent demand. It helps us evaluate our projects more accurately, and cast with the data behind us.
Anelle DehghaniHead of Sales, The Coven
Les Mills is deeply committed to protecting our intellectual property rights and the integrity of our content. Partnering with MUSO has been a game-changer in this mission.
Legal CounselLes Mills
The quality and the breadth of data that MUSO offers is extremely valuable to my work, because it is really the only source for that kind of data out there.
Head of Content AnalyticsGlobal entertainment company